Yes, it is a Raincoat | 24X24 Board
In the artist's words
We always knew it was going to come to this. Ferby has gone defective and picked up an axe. No one is surprised.
If you have questions about the piece, feel free to message — happy to talk about it.
Robot human hybrid description
A defective Furby has found an axe. Three mismatched eyes — one wide and blue, one half-lidded with a red slit, one gone dark — stare out from a battered casing tilted at an unhinged angle. The whole scene is splattered in deep crimson across a palette of dusty lavender, grey, and muted green. The lighting is dramatic and close, like a crime scene photo that somehow involves a children's toy.
The texture is heavy with grit — paint splatter everywhere, rough brushwork, nothing clean. It reads as both genuinely unsettling and deeply funny if you grew up with one of these things on your shelf. The piece rewards people who always suspected these toys were waiting for the right moment.
This one is for the horror fan who also has nostalgia, the person who thinks creepy cute is the only aesthetic worth having, or anyone who needs their wall art to have a little implied menace. It fits naturally in dark, maximalist, or weird-internet-adjacent spaces.
I mount these prints in my studio. Here are some features of the parts used:
- Archival cotton print
- Mounted to cradled art board
- Board is hand-cleaned and painted
- Hanging hardware included
- Sealed with brushed-on varnish
canvas wrap
In the artist's words
We always knew it was going to come to this. Ferby has gone defective and picked up an axe. No one is surprised.
If you have questions about the piece, feel free to message — happy to talk about it.
Robot human hybrid description
A defective Furby has found an axe. Three mismatched eyes — one wide and blue, one half-lidded with a red slit, one gone dark — stare out from a battered casing tilted at an unhinged angle. The whole scene is splattered in deep crimson across a palette of dusty lavender, grey, and muted green. The lighting is dramatic and close, like a crime scene photo that somehow involves a children's toy.
The texture is heavy with grit — paint splatter everywhere, rough brushwork, nothing clean. It reads as both genuinely unsettling and deeply funny if you grew up with one of these things on your shelf. The piece rewards people who always suspected these toys were waiting for the right moment.
This one is for the horror fan who also has nostalgia, the person who thinks creepy cute is the only aesthetic worth having, or anyone who needs their wall art to have a little implied menace. It fits naturally in dark, maximalist, or weird-internet-adjacent spaces.
This is a 24 in x 24 in gallery wrapped canvas print. The canvas is 1.5 in thick.
Hardware is installed and it's ready to hang. the edges are solid black, the ink is archival.
There is a light satin finish to protect the ink.
These prints are from a vendor I really trust, and when i do interruptions, this is what i use.